It is with great sadness we have to announce the decision to cancel Counterflows Festival 2020 due to the ongoing issues with COVID-19.

Putting international artists through the stress of cancelled flights and being potentially quarantined is just too much of a risk to take given the current situation. On top of this, it feels increasingly irresponsible to be holding social events of our scale given the risk of the virus spreading.

We will be issuing refunds for the festival via Eventbrite right away. Funds should be back in your account within the next 7 working days.

Counterflows is a small grassroots festival and we appreciate the love and support the artists, audience members, supporters/funders, staff and everyone else have given us on this venture.

As a small statement of solidarity, if you want to help support artists due to perform and their respective independent labels, we have made a list of music that is available for purchase on their bandcamp pages

We are working out our budgets at the moment and aim to pay all the artists cancel fees. If anyone is able is able to help boost the amount we give them you can do so by donating to us via PayPal at 100% of donations will be spread equally between the artists.

As it stands we will be focussing our energy on the 2021 edition of the festival, which will be our 10th year anniversary. The plan is to hopefully reschedule as much of the line-up for the 2020 festival as possible, as well as add some additional projects on top. This of course depends on funding and finances, but our fingers are crossed. We'll keep in touch.

Please look out for and support one another during this difficult time. We all need one another more than ever.

Love and strength,
Alasdair & Fielding – Team Counterflows

Original website still available below
A Festival Of Underground, Experimental & International Music
2 – 5 April 2020
Various Venues Around Glasgow


It is a common misconception of the way we lead our lives that we are meant to aspire to this or that way of doing things. In 2004 I was ruminating in the audience at an evening of Instal when on to the stage stepped a be-hatted gentleman who proceeded to wack beautifully at his guitar accompanied by our very own Richard Youngs and Alex Neilson. It was of course, as history readily assist us with information, the entity known as Jandek. There is something of the Pynchon like allure to the personality that refuses to reveal itself about Jandek. Pynchon publishes books. Jandek makes music and even now since that 2004 revelation performs in front of audiences. But it is only his music that is revealed. Why do we insist in knowing who makes the music we listen to? Enough! It is just great to have a performance of Jandek with his original live band at Counterflows this year. I for one admire the commitment to music that Jandek represents. I think a Leveson report would help us know less about the people that make our music and just listen.